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For more on this, read our guide on how to stop dew forming on your telescope. This is essential to prevent defocusing caused by temperature variations.Ī 12V camping hairdryer is also invaluable for removing moisture from dewed-up optics during long runs.
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What you’ll need to do during a long mosaicing run is refocus often. For more on this, read our guide on how to remove noise from your astrophotos of the Moon. The advantage is less noise in dark regions and extra navigational detail when crossing seemingly featureless areas, such as the lunar seas. A good overlap is typically 20-25%.Ī Moon mosaic captured on by Chris Campbell. There are various ways to move across the Moon, but imaging in horizontal strips with lots of overlap is best. Check your camera’s alignment by slewing in right ascension and rotating the camera so that features move parallel to the bottom edge of the frame. Only go higher if the seeing gets really good.Ī driven, equatorially mounted scope is ideal. Image scale can be adjusted using optical amplifiers such as Barlow lenses, but aim to keep your telescope’s overall focal ratio somewhere between f/15 and f/45. If you’re experimenting with mosaics for the first time, capture a small number of panes to start with so you can get a feel for what’s what. It pays to be realistic in terms of image scale. The higher the magnification you use, for instance, the easier it is to get lost and miss a bit out this is a common frustration when starting out. At 15fps (frames per second) this should give over 900 framesĪ Moon mosaic captured by Craig Towell, Bristol, UK, 21 September 2019 using an Altair Astro GPCAM3 290M mono camera, a Fullerscope 8.75" f/7.5 Newtonian and a Sky-Watcher EQ6 mount. Take a short video of just over a minute.Move the telescope to your target, knowing it’s in focus.The high contrast between light and dark will show when the image is sharpest. Pointing the telescope at the Moon’s terminator and adjust the focus knob.Focus the camera: make sure it’s locked in the eyepiece holder.
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Make sure your capture software is set up and recording to a hard drive with sufficient free space.If using a camera with a monochrome chip and seeing conditions aren’t perfect, use a red filter on the camera to improve the view.
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Check by rotating the camera in the eyepiece holder so when you press the left or up button the image moves left or up.If you need to make minor corrections on your Go-To or driven mount, be sure you know which button to press.
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